schedule:
1 day of building, 3 hours of 3D modelling / 2018 Q3-4
collaborators:
HELYES Dániel, TÓTH Ádám, BOKÁNYI Imre
Crisis as a state of emergency always results in some kind of suspension of previous laws or normas. It forces us to encounter the world, outside our established understanding where these emergencies are rooted. The world economic crisis, global warming, endangered species, migration, politics. If the slogan for the great economic and financial crisis was “too big to fail,” then for the emergencies we are facing today it should be “too big to handle”.
Crisis as a narrative nowadays has become a constant. It lets decision makers justify their selfish actions for the sake of saving humankind from these emergencies without any understanding. These narratives, thus, are empty and far from reality..
The goal of the festival was to bring plasticity to these narratives and without concentrating on the actual topics, show people strategies and techniques of surviving in such conditions. Instead of answers and orders in wich we have less and less trust, tools and arguments were on display.
LIVE ACT was a 3D modelling live performance created by HELYES Dániel as a part of the performance festival.It was aimed towards our virtual design culture, where threats and their contexts - as the utmost origin of human creativity - has been reduced to abstract ideas.
Functionalism, minimalism, eco... These ideas that have been shaping our physical word, now are no more then empty directions.
RIGHT and LEFT; two teams of one designer and one architect were competing each other against the clock in this dadaist choir, time being the only real threat out there.
Two sets of tables, projector shelves and barricades were designed and built by us to accomodate the event. We were working with four different kinds of software of our choices in a scale set by the ever famous idealistic shilouette of Le Corbusier.
softwares:
ArchiCAD, Rhinoceros 5
team:
BOKÁNYI Imre, ZALKA Márton
softwares:
ZBrush, Fusion 360
team:
HELYES Dániel, TÓTH Ádám
/ BOOK SHELVES / A KITCHEN / STOOLS / ANATOMY OF A DREAM / ORDER IS THE SOUL / THREE SHELVES / ELEVATOR / SANTSAT / BAUHAUS UP / LEFTOVER / RHYTON / KOLORÁDÓ / LIVE ACT / PHOBIA DESIGN / LEVES / INLAY / FLIP / MT. MOME / BUNKI /
Crisis as a state of emergency always results in some kind of suspension of previous laws or normas. It forces us to encounter the world, outside our established understanding where these emergencies are rooted. The world economic crisis, global warming, endangered species, migration, politics. If the slogan for the great economic and financial crisis was “too big to fail,” then for the emergencies we are facing today it should be “too big to handle”.
Crisis as a narrative nowadays has become a constant. It lets decision makers justify their selfish actions for the sake of saving humankind from these emergencies without any understanding. These narratives, thus, are empty and far from reality..
The goal of the festival was to bring plasticity to these narratives and without concentrating on the actual topics, show people strategies and techniques of surviving in such conditions. Instead of answers and orders in wich we have less and less trust, tools and arguments were on display.
LIVE ACT was a performance of live 3D modelling with a critical approach towards our virtual design culture, where threats and their contexts - as the utmost origin of human creativity - has been reduced to abstract ideas.
Functionalism, minimalism, eco... These ideas that have been shaping our physical word, now are no more then empty directions.
RIGHT and LEFT; two teams of one designer and one architect were competing each other against the clock in this dadaist choir, time being the only real threat out there.
Two sets of tables, projector shelves and barricades were designed and built by us to accomodate the event. We were working with four different kinds of software of our choices in a scale set by the ever famous idealistic shilouette of Le Corbusier.